Sunday, September 27, 2009
Garbage men
Two guys, garbage men, grew tired of the language that they had been taught, and invented a new language. This in itself is unremarkable, and happens frequently. But this language, modeled on the trash compactor, was a compact language, fitting neatly into the spaces of words and letters in the old language. It was a model of efficiency, although it had to be spoken and written along with the old language, being dependent on the spacings. That was it's only flaw, really, if you believe doubling is a flaw. They couldn't think of a catchy name, and it never caught on.
Sunday, August 16, 2009
from "Love Poems" by Rod Smith
If a lion could speak, we would not understand him.
—Wittgenstein
Listen to the lion. Like
an owl in the
heaped instant
oil-death craft, my love
my driftwood my
Susquehana deckhand
disturbance, so sad, printed
into everything taken.
That enormous bandaged
boundary behind
the open muffling
Is to be filled rain
envisioned, tall
fear rim peopled &
transmuting different
bunk in us "surrounding
a little bird-buddha"
in an ad for an ad for
Listen to the lion. Biological
crank turned by burned
sausage into the vacuum
of affirmation where my
oft inner floated mesquite
self's Ismene suddness
is known spirals sleep and
clear. No roads can show
the middle eye something
other objects shot into
the sky. When giving.
No tactile surface
is stone moist to the
toned raking Paris
you wish. The sun
has several names, like
Sherman, Tazmo, Bonk,
& Harmine-- it's risen
raves retake Atlanta
from nothing's lost
laundry room key &
we, clean in those
clothes have regone
there, we've done
a hell of a job.
thank you. We've
done exactly what
was expected of
us. & we
are not dead. 6
tabs re-side baste
& coax ton's opera-knuckle
brisket. Pal 1
is the cloned guy, &
loosely they have
or will have nice
copulated currency, as
if a tusk warranted Suzuki,
as if, portly
a re-stained tore heart's
made timing looked
back in tears over this
strange be.
—Wittgenstein
Listen to the lion. Like
an owl in the
heaped instant
oil-death craft, my love
my driftwood my
Susquehana deckhand
disturbance, so sad, printed
into everything taken.
That enormous bandaged
boundary behind
the open muffling
Is to be filled rain
envisioned, tall
fear rim peopled &
transmuting different
bunk in us "surrounding
a little bird-buddha"
in an ad for an ad for
Listen to the lion. Biological
crank turned by burned
sausage into the vacuum
of affirmation where my
oft inner floated mesquite
self's Ismene suddness
is known spirals sleep and
clear. No roads can show
the middle eye something
other objects shot into
the sky. When giving.
No tactile surface
is stone moist to the
toned raking Paris
you wish. The sun
has several names, like
Sherman, Tazmo, Bonk,
& Harmine-- it's risen
raves retake Atlanta
from nothing's lost
laundry room key &
we, clean in those
clothes have regone
there, we've done
a hell of a job.
thank you. We've
done exactly what
was expected of
us. & we
are not dead. 6
tabs re-side baste
& coax ton's opera-knuckle
brisket. Pal 1
is the cloned guy, &
loosely they have
or will have nice
copulated currency, as
if a tusk warranted Suzuki,
as if, portly
a re-stained tore heart's
made timing looked
back in tears over this
strange be.
Saturday, August 15, 2009
from "Canto I" by Ezra Pound
And then went down to the ship,
Set keel to breakers, forth on the godly sea, and
We set up mast and sail on that swart ship,
Bore sheep aboard her, and our bodies also
Heavy with weeping, and winds from sternward
Bore us onward with bellying canvas,
Circe's this craft, the trim-coifed goddess.
Then sat we amidships, wind jamming the tiller,
Thus with stretched sail, we went over sea till day's end.
Sun to his slumber, shadows o'er all the ocean,
Came we then to the bounds of deepest water,
To the Kimmerian lands, and peopled cities
Covered with close-webbed mist, unpierced ever
With glitter of sun-rays
Nor with stars stretched, nor looking back from heaven
Swartest night stretched over wreteched men there.
Set keel to breakers, forth on the godly sea, and
We set up mast and sail on that swart ship,
Bore sheep aboard her, and our bodies also
Heavy with weeping, and winds from sternward
Bore us onward with bellying canvas,
Circe's this craft, the trim-coifed goddess.
Then sat we amidships, wind jamming the tiller,
Thus with stretched sail, we went over sea till day's end.
Sun to his slumber, shadows o'er all the ocean,
Came we then to the bounds of deepest water,
To the Kimmerian lands, and peopled cities
Covered with close-webbed mist, unpierced ever
With glitter of sun-rays
Nor with stars stretched, nor looking back from heaven
Swartest night stretched over wreteched men there.
Friday, August 14, 2009
Saturday, August 8, 2009
"The Not Tale (Funeral)" by Caroline Bergvall.
The great labour of appearance
Served the making of the pyre.
But how
Nor how
How also
How they
Shal nat be toold
Shall not be told.
Nor how the gods
Nor how the beestes and the birds
Nor how the ground agast
Nor how the fire
First with straw
And then with drye
And then with grene
And then with gold
And then
Now how a site is laid like this.
Nor what
Nor how
Nor how
Nor what she spak nor what was her desir
Nor what jewels
When the fire
Nor how some threw their
And some their
And their
And cups full of wine and milk
And blood
Into the fyr
Into the fire.
Nor how three times
And three times with
And three times how.
And how that
Nor how
Nor how
Nor how
Nor who
I cannot tell
Nor can I say
But shortly to the point I turn
And make of my tale an ende.
from Shorter Chaucer Tales.
Served the making of the pyre.
But how
Nor how
How also
How they
Shal nat be toold
Shall not be told.
Nor how the gods
Nor how the beestes and the birds
Nor how the ground agast
Nor how the fire
First with straw
And then with drye
And then with grene
And then with gold
And then
Now how a site is laid like this.
Nor what
Nor how
Nor how
Nor what she spak nor what was her desir
Nor what jewels
When the fire
Nor how some threw their
And some their
And their
And cups full of wine and milk
And blood
Into the fyr
Into the fire.
Nor how three times
And three times with
And three times how.
And how that
Nor how
Nor how
Nor how
Nor who
I cannot tell
Nor can I say
But shortly to the point I turn
And make of my tale an ende.
from Shorter Chaucer Tales.
Friday, August 7, 2009
"Betwixt" by Mel Nichols.
Here are some things to keep in mind as you get to know your small dog. Your reddish-orange dog.
Dare you go? Need you say this? Ought we go through with this?
How do you know that God didn’t make us evolve?
Nanotubes are created rapidly by squirting a carbon source.
I have a huge collection of frogs, right down to a frog toilet seat in my garden.
a metallic whisper please visit the mirror tortured in the potential space and one heck of a wondertickled verbena smoky sea wrack of excellence and tiger's eye
(look here you! http://thebeginningofbeauty.blogspot.com/)
Dare you go? Need you say this? Ought we go through with this?
How do you know that God didn’t make us evolve?
Nanotubes are created rapidly by squirting a carbon source.
I have a huge collection of frogs, right down to a frog toilet seat in my garden.
a metallic whisper please visit the mirror tortured in the potential space and one heck of a wondertickled verbena smoky sea wrack of excellence and tiger's eye
(look here you! http://thebeginningofbeauty.blogspot.com/)
Thursday, August 6, 2009
Thursday, July 30, 2009
from "Le Sens du Combat" by Michel Houellebecq.
The swallows take their flight, skimming the waves slowly, then fly in a spiral into the warming atmosphere. They do not speak to humans, for the humans remain stuck on the earth.
The swallows are not free. They are conditioned by the geometry of their repeated orbits. They slightly modify the angle of attack of their wings to describe spirals that grow further and further apart in relation to the blueprint of the earth’s surface. In short, there is nothing to be learned from swallows.
Sometimes, we would come back together in the car. Over the immense plain the sunset was enormous and red. Suddenly there was a quick flight of swallows and its surface was sliced. You shuddered, at that moment. Your hands were tight on the snake-skin cover of the wheel. So many things could, at the time, make us part.
The swallows are not free. They are conditioned by the geometry of their repeated orbits. They slightly modify the angle of attack of their wings to describe spirals that grow further and further apart in relation to the blueprint of the earth’s surface. In short, there is nothing to be learned from swallows.
Sometimes, we would come back together in the car. Over the immense plain the sunset was enormous and red. Suddenly there was a quick flight of swallows and its surface was sliced. You shuddered, at that moment. Your hands were tight on the snake-skin cover of the wheel. So many things could, at the time, make us part.
from "Platonic False Teeth" by Francis Picabia.
The regime of the photographic radium screen’s wind rests every day in the effluvia of the sublime family of great vices when the pyre laughs at the pirate world. Blushing gets pretty dangerous if paralyzed King lacks a Queen, and Jesus Christ, crazed with the sorrows of a society violated in public hereditary silence, operates early in the intrigues of the seraglio, vizier of heaven’s administration.
Wednesday, July 29, 2009
"Thing Language" by Jack Spicer
This ocean, humiliating in its disguises
Tougher than anything.
No one listens to poetry. The ocean
Does not mean to be listened to. A drop
Or crash of water. It means
nothing.
It
Is bread and butter
Pepper and salt. The death
That young men hope for. Aimlessly
It pounds the shore. White and aimless signals, No
One listens to poetry.
Tougher than anything.
No one listens to poetry. The ocean
Does not mean to be listened to. A drop
Or crash of water. It means
nothing.
It
Is bread and butter
Pepper and salt. The death
That young men hope for. Aimlessly
It pounds the shore. White and aimless signals, No
One listens to poetry.
Saturday, July 18, 2009
Wednesday, July 15, 2009
Tuesday, July 14, 2009
Train
Several dark stretches passed on the train before any edges could be seen in the rushing trees. Why did you write this he asked. I am surprised that you think this is an insight.
Sunday, July 12, 2009
The Baby
He could not imagine the baby peeing in the mouth. That’s not something I should be thinking, he exclaimed but with a small sound. This exclamation did not adjust the tautness. There was no imagined play at rest here, this was for a real something. It is difficult to see the baby. As a metaphor, he remarked to her, but she was too angry to drop the lip into a new shape.
A Stretch
There she sat beside the cabinet, the tooth angling abruptly. An exclamation or yell built up inside her, but it was unreasonable. However, later there were comments such as: I will not miss this tooth. Her hand touched the humid edge of the furniture while she commented. I am a young woman still, so there is plenty of time for more.
The husband’s dog growled attempting to debone. The dog’s teeth were less yellow than a month ago, as new food had been bought. This had been his surprise plan, to change the food. It was unnerving to come home and find a food that was not the normal food; it was now a food that cleaned gums. The cabinet had also been his, some relative unloading old pieces on us, she had said, as a sort of aside. You’ll come to like it here, he assured her, knowing that was not the case. But what love is toothless or silent?
The husband’s dog growled attempting to debone. The dog’s teeth were less yellow than a month ago, as new food had been bought. This had been his surprise plan, to change the food. It was unnerving to come home and find a food that was not the normal food; it was now a food that cleaned gums. The cabinet had also been his, some relative unloading old pieces on us, she had said, as a sort of aside. You’ll come to like it here, he assured her, knowing that was not the case. But what love is toothless or silent?
Thursday, July 9, 2009
The Sunset
What was that she was dragging? The pit was too close for anything good. Her black cap was fringed with sweat; the light did not catch it. We followed on her footsteps. On the counter some errant cardboard rested ahead of its use.
Our hands felt groupings of one or the other, as the room was blackened to honor the defeat. We congratulated ourselves on our economy, so unsure up until this moment.
Our hands felt groupings of one or the other, as the room was blackened to honor the defeat. We congratulated ourselves on our economy, so unsure up until this moment.
Breadth
This part has no one object to its own. This other has a cat, warm and full of imagined feeling. We say ‘imagined’ for the sake of our futures.
So how small could this part make itself, he thought. There was an unconscious person laying there who could tell some things about the way it was made, although they were also barely there. There was, in fact, a fake part to him, more than one even. This part was not broken, but was gilt. Well, in his head it was.
The other woman walked onto the scene and took stock. There were so many parts that she was unable to count them all, although some were sure to prove unreal. The varied pieces came together in an instant. There she heard some sound like pouncing. Oh! How that could be! Which part was it moving with its paw?
So how small could this part make itself, he thought. There was an unconscious person laying there who could tell some things about the way it was made, although they were also barely there. There was, in fact, a fake part to him, more than one even. This part was not broken, but was gilt. Well, in his head it was.
The other woman walked onto the scene and took stock. There were so many parts that she was unable to count them all, although some were sure to prove unreal. The varied pieces came together in an instant. There she heard some sound like pouncing. Oh! How that could be! Which part was it moving with its paw?
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