The less subjects live anymore, the more abrupt, frightening, the death. In that the latter literally transforms the former into a thing, it makes them aware of their permanent death, of reification, of the form of their relations, which they are partly culpable of. The civilized integration of death, without power over it and ridiculous before it, which it covers up cosmetically, is the reaction-formation to something social [Gesellschaftliche], the awkward attempt of exchange-society to plug the last holes still left open by the world of commodities. Death and history, particularly the collective one of the category of the individual [Individuum], form a constellation. If the individual, Hamlet, once deduced its absolute essentiality out of the dawning consciousness of the irrevocability of death, then the downfall of the individual brings down the entire construction of bourgeois existence along with it. What is annihilated in itself and perhaps also for itself is something nugatory. Hence the constant panic in the sight of death. It is no longer to be placated except through its repression.
-Theodor Adorno, Negative Dialectics.
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